I was quite flippant about the performance when I posted a photo of a Scotch Dynarange C-90 in 2012, but it’s often very hard with old tapes to evaluate them properly, since so little is known about the recording conditions, and there’s little or no space to record new sequences for test purposes.
Gladly, however, I’ve now unearthed an early ‘70s Scotch Dynarange C-120 with plenty of blank space on Side B, so I set about establishing what these 40+ year-old stalwarts are like when it comes to preserving a known quality of signal. Continue reading
Technically, it’s an abomination. Inaccurate sonic reproduction, often lacking high end definition, drizzled in haphazard distortions, subject to random pitch fluctuations and topped off with a hissy backdrop. But to some, these technically woeful traits have come to represent beauty, character, charm. Why? Why do some of us prefer a bad recording to a good one? Why do we actually like lo-fi? Continue reading
I’ve spoken before on the blog about the record fairs of the early 1980s, and the bootleg tapes that featured so prominently in their trade. Extremely erratic in quality, and often pedalled by people who knew little to nothing about the artists, these tapes (usually of live performances or radio sessions) were frequently Continue reading
The Sony CHF60 has already been added to this blog, and you can find the full text for the tape in the post: 1981 Sony CHF60 Audio Cassette.
I did, however, think it was also worth adding this post for the 90 minute version, if only for the photo, which I initially posted to my Flickr account. What a great encapsulation of the technology of 1980 this image is.