I’ve spoken before on the blog about the record fairs of the early 1980s, and the bootleg tapes that featured so prominently in their trade. Extremely erratic in quality, and often pedalled by people who knew little to nothing about the artists, these tapes (usually of live performances or radio sessions) were frequently Continue reading
Through the one decade plus from ’76 into the late ‘eighties, the band’s musical style morphed, and I suppose you could say ‘matured’ – although that would imply that original format punk was immature, which I don’t believe was the case.
The Sony AHF was an excellent normal bias cassette from the renowned hi-fi manufacturer. At the dawn of the 1980s, there were three normal bias ferric oxide tapes in the Sony range. The CHF was the basic offering. Light on treble definition, fairly noisy, and low in price – but in its class, still pretty good value. The next step up was the BHF. This had noticeably better treble response, and whilst noise/hiss wasn’t exactly minimal, it was certainly more under control than with the CHF. The price was typically around 30% higher than that of the CHF. Stepping up again to the most expensive Sony ferric, you found, this, the technically superior AHF. Continue reading
I can’t, unfortunately, give much information about the period of manufacture for this Akai SX 90 audio tape. I’m guessing it’s not any earlier than 1987, and it can’t be any later than 1999, because that’s the year the cassette was given to me. Sorry I can’t be more specific. Continue reading