The Type II Chrome Bias Audio Cassette

A classic blast from the past, in the shape of a mid 1980s BASF CR-E II cassette. A real chromium dioxide formulation, and for many, the epitome of the high bias tape.

The Type II high bias audio cassette is actually much older a development than many people realise. The rise of the Type II tape is generally associated with the 1980s, but in fact, it was introduced, with a chromium dioxide (CrO2) tape formulation, at the dawn of the 1970s.

Chrome tapes were, technically, a big advancement from the start. Du Pont’s chromium dioxide formulation gave an undeniable increase in high frequency response over the often rather muffled tone of the existing Type I ferric cassette. This meant much better definition – a major improvement in fidelity, and an ability to preserve all the zing and sparkle at the treble end of the original sound.

Belinda Carlisle – Heaven on Earth Audio Cassette (1987)

For some reason, the solo career of ex-Go-Gos singer Belinda Carlisle always made me think of Feargal Sharkey – the ex-Undertones singer whose solo work had taken off slightly earlier in the decade. They were both characters from the late ’70s alternative (punk-orientated) rock scene, with a similar rapid vibrato in their voices, who turned to the mainstream in the middle of the 1980s and stormed the UK charts in major fashion.

Aswad – Live and Direct Audio Cassette (1983)

That music dealing with the issues felt by disillusioned and disenfranchised youth had such a presence in the early 1980s, says as much about today’s environment as it does about that of three decades ago. The issues are still there, but it feels today almost as if the music business has tried to fence off the disaffected as some kind of ‘worthless market’, unable to provide a sufficient return on a record company’s investment.