The Damned – ‘The Light at the End of the Tunnel’ cassette

Whether or not they were guilty of a music business sell-out, by the mid 1980s The Damned were the sole surviving remnant from 1976’s original UK punk rock scene.

Immensely important historically, but until this point scantly recognised commercially, the band must surely have felt it was time they got a break. Equally, however, they must have known that any commercial success they did get could damage their cred with longtime fans – such was the inverted snobbery of punk…

1984 Pre-Recorded Chrome Cassette: Peter Katin Plays Chopin

I haven’t posted much in the way of pre-recorded cassettery from 1984, so to make amends here’s a classic, Made in England, chromium dioxide product from that very year.

All the hallmarks of the period are there. The proud boast of “CHROME TAPE” on the front of the inlay – essential info in the early to mid eighties when hi-fi credentials lay at the forefront of audio cassette marketing. The “CHROME – FOR QUALTY” C-logo appears on the cream paper label, as does the “DOLBY SYSTEM”-accompanied Dolby logo, which prevailed on casings before the text was phased out to leave only the double-D symbol.

Did Paper Label Audio Cassettes Actually SOUND Better?

If you collect audio cassettes, chances are you like the look of the ones with paper labels best. Well known for adding vivid colour to the product, paper labels can also on occasion create character by bubbling up away from the casing, as seen in the picture above.

But is there any link between cassettes with paper labels and a higher quality sound? Is a cassette without a paper label any more likely to have a dull sound? As regards the 1970s output, probably not. But 1980s and 1990s tapes with paper labels do show statistical evidence of higher audio quality…